James A. Garfield National Historic Site, the nineteenth-century home of the 20th President, is located in Mentor, Ohio. Photo credit: Andy Curtiss
Currently, public history educators are discussing whether their graduate students should be required to write master’s theses. Although some students (including myself) at times bemoan the thesis as impractical and suggest a public history project or portfolio as an alternative, I found my thesis experience to be integral to my development as a public historian. My research inspired me to reach out to scholars and professionals whose work paralleled my own. It has also opened new doors as I transition out of academia and into a career interpreting the past for public audiences.
My thesis research grew out of my experience volunteering and working as a seasonal interpretive ranger at James A. Garfield National Historic Site, the late nineteenth-century Ohio home of the 20th President. I set out to write about the evolution of the historic landscape of the site, and I wanted to integrate my interest in historic site interpretation into my work, especially because a graduate course on this topic would not be offered during my two years at Indiana University-Purdue University Indianapolis (IUPUI). When I heard about the site’s plans to write a new long-range interpretive plan in early 2013, I asked to participate in the process. Continue reading
Recently, Jane Becker initiated a conversation about doing collaborative projects with students and community partners on the public history educators’ listserv. An edited and condensed version of the discussion follows.
Photo credit: Berdea, Wikimedia Commons
Jane Becker: For the past few years, I have developed collaborative projects for my public history graduate students to undertake with community partners. The results have varied widely, and I’ve struggled with incorporating this semester-long “practical” assignment into the course as a whole and balancing the need to provide students with opportunities to put theory into practice with the other “agendas” of the class.
It is difficult, if not impossible, for a class of relatively new public history students over the course of a semester to achieve the kind of work that might be useful to an organization, even if the task is relatively modest. This is one issue driving my effort to consider other models for introducing first year public history graduate students to “practice.” Continue reading
Digital collections like those of the Internet Archive have drastically expanded the resources available to exhibit creators. Photo credit: Internet Archive
Thanks to the exponential increase in availability of digitized collections, possibilities in exhibit research have drastically expanded. Digital collections have become essential tools that help ensure the success of projects with limited budgets and tight deadlines, which most public historians might agree is just about every project. At the same time, it is often overwhelming to sift through the wide range of options. How can researchers, curators, and designers best utilize and understand the many resources provided through digital repositories and open access collections?
I recently responded to a tweet by Mary Rizzo asking for examples of people using the Internet Archive, an open access digital collection, in their public history work, and she suggested I write a blog post about using tools like this. As an Exhibitions Researcher at the Indiana Historical Society, my initial reaction was to think “I don’t know much about open access collections, I just use them.” Considering again, however, I realized that even though I was trained during the era of digitization and I use these resources as second nature in my work, I’ve still gone through a learning process in my job. Continue reading
“At Home in Holland,” a new digital history project by students at the University of Amsterdam, responds to the way that hostile reactions to immigrants have undermined the traditional idea of Dutch tolerance and hospitality in recent years. The current Dutch asylum policy was developed in the 1980s. In that same period, Amnesty International Netherlands held its first campaign to draw attention to the problems faced by refugees in the Netherlands. How did a human rights organization usually focused on the plight of people abroad end up campaigning against human rights abuses back at home? Continue reading
The New Professional and Graduate Student Committee discusses the Public History Navigator in Monterey. Photo credit: NCPH
We asked and you shared! One hundred sixty-six respondents participated in the NCPH New Professional and Graduate Student Committee survey, offering their input for creating a consumer’s guide to public history. Now officially titled “Public History Navigator: How to Choose and Thrive in a Graduate Program,” this exciting project will provide one tool to address shared concerns about the “perfect storm”–the phrase National Council for Public History Past President Bob Weyeneth used to describe the public history training and jobs crisis.
2014 National History Day Theme. Image credit: National History Day
What do exhibits about Marie Antoinette’s fashion and Ayatollah Khomeini’s political action, and websites about the invention of the toilet and the dissemination of the Pentagon Papers have in common? They are all student entries in the National History Day competition that I’ve had the opportunity to review as a judge over the past seven years. Within the context of the recent lively conversations about “history relevance,” I argue that judging at History Day offers public historians a unique opportunity to teach students about the power of historical thinking to enrich their lives and to make them more capable citizens of an increasingly complex world. Continue reading
King’s College, Cambridge. Photo credit: Colin Smith, Wikimedia Commons
In her thought-provoking post from November 2012, Mary Rizzo opened up a conversation about the relationship between the rapidly growing field of digital humanities and public history. Reflecting on a recent THATcamp meeting, Rizzo concluded that existing divisions between the producers and the critical thinkers of digital humanities projects had the potential to re-inscribe gender and racial hierarchies. I want to take Rizzo’s still-salient concerns as a starting point for a conversation in a slightly different direction, namely the potential for the democratization of historical knowledge made possible by digital tools and the role of public historians in this process. Continue reading
During the coming year the National Council on Public History will prepare a Graduate Program Consumer’s Guide. The Consumer’s Guide will serve as a tool for anyone weighing the pros and cons of pursuing a degree or certificate in public history. Robert Weyeneth, president of the NCPH and director of the public history program at the University of South Carolina, outlined the rationale for the Consumer’s Guide last September in a series of posts for History@Work. Collectively titled “A Perfect Storm,” the posts addressed the widely held perception that a “jobs crisis” exists in the field of public history. Weyeneth argued that NCPH can and should commit its organizational resources to ensuring that public history programs offer the highest quality training to the next generation of practitioners, who will undoubtedly face a highly competitive job market.
As a first step toward producing the Consumer’s Guide, the New Professional and Graduate Student Committee of NCPH announced plans earlier this winter for a survey soliciting feedback from History@Work readers. The committee will participate in creating the Consumer’s Guide, and we are eager to hear from current public history students, long-established professionals, and everyone in-between. What kind of information do you think the NCPH should include in the Consumer’s Guide? Please follow this link and answer a few survey questions. Your feedback is indispensable to the process of crafting a Graduate Program Consumer’s Guide that will benefit our field and the next generation of practitioners. We hope that the survey will also stimulate discussions that continue during the upcoming NCPH meeting in Monterey.
~ New Professional and Graduate Student Committee
Photo credit: Berdea, via Wikimedia Commons
My public history courses are complicated.
Over the eight years since I took over as Director of Public History at the University of Maryland Baltimore County (UMBC), I have found myself juggling and re-juggling course content, trying to achieve just the right mix of reading, discussion, research, and practice. I worry constantly about how to balance quality control and authority against student creativity and development. This worry manifests in every decision I make about each course: How much description of the assignment should I include? Which readings will be most effective for advancing students’ understanding of both the roots and the practice of core methodologies? How can I break assignments into manageable bites? What is the difference between graduate and undergraduate study in public history? What are the learning goals? What kinds of assignments will be enjoyable and meaningful for students? Continue reading