Conference (P)review #1: Rideau Street Convent Chapel

Editor’s note: In preparation for the upcoming NCPH conference in Ottawa, The Public Historian has commissioned a series of Ottawa site reviews, as it does annually for sites in our conference city.  These “(p)reviews,” as we’re dubbing them, will inaugurate what we hope will be a growing partnership between The Public Historian and the Public History Commons.  Further online post-conference reviews will follow later this spring;  we invite readers to comment on these posts as they appear.

Rideau Street Convent Chapel, National Gallery of Canada, Sussex Drive, Ottawa. MARC MAYER, Director.

chapel interior

Georges Bouillon
Interior Architecture and Decoration of the Chapel of Our Lady of the Sacred Heart Convent, 1887‑1888
National Gallery of Canada, Ottawa
Photo © National Gallery of Canada

Passing from the busy exhibition galleries, through the arcaded courtyard with its planted beds, visitors approach the neo-Gothic interior of the Rideau Street Convent Chapel predisposed to enjoy a space of tranquility and spirituality. The chapel, or more precisely, the interior of the chapel, is an immensely popular installation in the National Gallery of Canada. It is also one of Ottawa’s great heritage success stories. The Chapel of the Convent of the Sacred Heart was rescued from demolition in the early 1970s when the Roman Catholic Grey Nuns of the Cross or Sisters of Charity, a teaching order whose premises had been on Rideau Street since the mid-nineteenth century, sold their property to a developer. Designed by the renowned – although untrained – Canadian architect-priest Georges Bouillon, the neo-Gothic chapel was unique not only in Ottawa but in Canada. It was consecrated in 1888.

Very nearly destroyed along with the rest of the nunnery’s buildings, the chapel was saved by a remarkable coalition of heritage organizations, local heritage groups and federal agencies including the National Capital Commission and the National Gallery of Canada where it would find its final home. Continue reading

Project Showcase: Vermont Marble Museum and the Preservation Trust of Vermont

vermont marble museum

The Vermont Marble Museum in Proctor, Vermont

Located in Proctor, Vermont, The Vermont Marble Museum tells the story of the Vermont Marble Company — once the largest marble company in the world.  Prominent buildings and monuments all over the United States and the world were made by the Vermont Marble Company including the Thomas Jefferson Memorial, the US Supreme Court Building and the Tomb of the Unknown Soldier.

In the spring of 2012, after many years of operations, the current owners decided to close the Museum and sell the collection. The Preservation Trust stepped in, hoping to raise enough money to purchase the entire operation with the ultimate goal of keeping the collection intact and finding a new non-profit owner to run the museum in its current location in Proctor.

As of December 31, 2012, the Preservation Trust had successfully raised $250,000 to complete Phase I of the project, taking a significant step forward on the path to saving this irreplaceable piece of our heritage. This phase includes the acquisition of the museum collection and displays, including the 2000+ rare glass plate negative collection, and the gift shop.

The Preservation Trust is now beginning Phase II which includes raising $480,000 for the acquisition of the museum building. Additionally, we are actively seeking a new non-profit owner and operator for the museum.

For more information, please visit the Preservation Trust of Vermont website or contact Paul Bruhn at the Preservation Trust of Vermont: (802) 343-0595 or paul@ptvermont.org.

~ Paul Bruhn
Executive Director
Preservation Trust of Vermont

The Ruskin College records: Destroying a radical past

The Walton Street site of Ruskin College, where Raphael Samuel and others founded the History Workshop movement in 1966.

In the course of moving Ruskin College, the trade union and labour movement college founded in central Oxford in 1899, from its prime location to a site on the outskirts of the city, the college has been re-branded and much of its archive destroyed or dispersed to other institutions. Most importantly, thousands of historic student records from the first years of the college until the last few years have been shredded. Continue reading

Project Showcase: “All of Us Will Walk Together” at St. Mary’s City, Maryland

house and barn

A c. late 19th century photo shows the last two remaining St. Mary’s Manor slave quarters out of seven listed in the 1840 census. The building on the left was moved with the manor house to its current location in 1994; the one on the right was demolished.

Although the central story of Historic St. Mary’s City is about its time as the first capital of Maryland in the 17th century, its space contains many more stories from later eras.  One is the 19th-century story of slavery and freedom at a large slave plantation.  This story is being told in a digital exhibit and blog, All of Us Will Walk Together, published by Michigan State University doctoral candidate Terry Peterkin Brock.

Brock is studying the lives of the slaves and tenant farmers who lived at the St. Mary’s Manor Plantation, which stood in what once was the heart of St. Mary’s City.  His objective is to open a window into lives that have often been neglected in the history of St. Mary’s City, yet were vital to the sustainability of its land and people.  Brock traces these African American laborers from the erection of the slave quarters in 1840 through the Civil War and into the post-slavery era, when they lived and worked as tenant farmers.  One building, a duplex quarter, continued to serve as a tenant home until 1950.  St. Mary’s City is currently in the process of turning this structure into a physical exhibit through funding from the Maryland Commission on African American History and Culture and the Maryland Historical Trust.  The digital exhibit and blog will include a discussion of the process.  The website and blog are designed for audience participation.

For more information about the project, please contact the researchers and follow the project on Twitter @WalkTogethr.  More details about Brock’s project can be found in this article.

~ Regina Faden, Executive Director, History St. Mary’s