Surfing with purpose: Online collections as exhibit resources (Part 2)

Continued from Part 1.

Creative Commons logos

Creative Commons offers several levels of easily-applied licenses to facilitate digital publishing of images while offering some protections to owners and creators.

Navigating copyright for images is tricky and presents one of the biggest challenges in my work as an Exhibitions Researcher at the Indiana Historical Society. Although I admit to only a rudimentary understanding of copyright, this is where open access comes in very handy. While it is certainly important to support other cultural institutions and individuals by purchasing images, the back and forth involved in determining copyright, ensuring a file is a high enough resolution, or waiting for a physical copy to be delivered doesn’t always fit into a production schedule. That is why I increasingly rely on sites with hassle-free permissions and files I can download immediately. We still always credit the source of photos used in our exhibits even if they are open access.

Issues of copyright become even more complex with online materials, and new legal conventions are emerging along with digital collections. Continue reading

Surfing with purpose: Online collections as exhibit resources (Part 1)

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Digital collections like those of the Internet Archive have drastically expanded the resources available to exhibit creators. Photo credit: Internet Archive

Thanks to the exponential increase in availability of digitized collections, possibilities in exhibit research have drastically expanded. Digital collections have become essential tools that help ensure the success of projects with limited budgets and tight deadlines, which most public historians might agree is just about every project. At the same time, it is often overwhelming to sift through the wide range of options. How can researchers, curators, and designers best utilize and understand the many resources provided through digital repositories and open access collections?

I recently responded to a tweet by Mary Rizzo asking for examples of people using the Internet Archive, an open access digital collection, in their public history work, and she suggested I write a blog post about using tools like this. As an Exhibitions Researcher at the Indiana Historical Society, my initial reaction was to think “I don’t know much about open access collections, I just use them.” Considering again, however, I realized that even though I was trained during the era of digitization and I use these resources as second nature in my work, I’ve still gone through a learning process in my job. Continue reading

Confessions of a novice tweeter

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Novice tweeter Dee Harris attached this photo to her first tweet from the 2014 NCPH conference in Monterey. Photo credit: Dee Harris

I’ve never considered myself a Luddite. I’ve had a smartphone for more than eight years, I occasionally post to Facebook, I’m signed up for a few blogs, and an e-reader has completely changed my reading habits. But when it comes to the fluttering noises of the little blue bird known as Twitter, the Luddite in me comes out. What useful information could actually come to me in the form of 140 characters or less? Do I have something to say that others want to read? I could never wrap my head around Twitter and why others found it so useful, so I just ignored it. At least I tried… but then came Jimmy Fallon and Justin Timberlake hashtagging on national television. Next, my 13-year-old son started adding verbal hashtags to everything he said. The final straw, however, was the National Council on Public History’s twitterstorm around the 2014 Monterey conference. Continue reading

Project Showcase: At Home in Holland

holland-screenshotAt Home in Holland,” a new digital history project by students at the University of Amsterdam, responds to the way that hostile reactions to immigrants have undermined the traditional idea of Dutch tolerance and hospitality in recent years. The current Dutch asylum policy was developed in the 1980s. In that same period, Amnesty International Netherlands held its first campaign to draw attention to the problems faced by refugees in the Netherlands. How did a human rights organization usually focused on the plight of people abroad end up campaigning against human rights abuses back at home? Continue reading

A monograph goes public

Screenshot of companion website for monograph.I remember well the day that I received my first copy of my first book, Independence Hall in American Memory. I picked it up in person from the offices of the University of Pennsylvania Press and could barely manage the walk home because of the temptation to stop, admire the beautiful dust jacket, open those pages, smell that new-book smell, and read. Every page contained memories of places, people, and experiences of piecing together a history that spanned more than two hundred years in a building’s life and nearly a decade of mine.

With that book, first published in 2002, I achieved tenure and promotion, and I was pleased to generate some new conversation about the long history of a landmark most commonly associated with the Declaration of Independence and the Constitution. But while the monograph opened some doors (and perhaps some minds), it also carried with it some inherent limitations. Continue reading

Projects in the print-digital pipeline

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Sketch for a key element of the “Slavery in New York” exhibit, found in the Public History Commons collection relating to the exhibit.

Regular visitors to the Public History Commons may have noticed that we’ve undergone a slight facelift recently.  The History@Work blog, initially the sole occupant of this site, has gradually been joined by other projects:  the News Feed, The Public Historian’s digital space, and now our new Library. To try to keep our interface clear and easy to navigate, we’ve bumped the blog down a little bit on the page and simplified the navigation bar.  We hope readers are finding their way around without too much trouble.

We’re also excited to introduce the Library to you.  Although still in its very early stages, it represents an important step in a larger project of creating flexible platforms for publication and communication and ways for our print and digital projects to cross-pollinate more easily.  We’re starting to get a sense of the possibilities through two recent collaborations, one of which revolves around Richard Rabinowitz’s award-winning article “Eavesdropping at the Well: Interpretive Media in the ‘Slavery in New York’ Exhibition.” Continue reading

Project Showcase: From Chautauqua to Ricketts

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Edward F. Ricketts in 1939. Photo credit: The Pat Hathaway Photo Collection, California Views Historical Photo Collection, via Wikimedia

Donald Kohrs is Branch Library Specialist at the Miller Library of Stanford University’s Hopkins Marine Station in Pacific Grove. For his  presentation at the National Council on Public History conference last week in Monterey, California, Don shared his recent findings associated with summer gatherings of the Pacific Coast Assembly of the Chautauqua Literary and Science Circle (1880-1926) in Pacific Grove. The founders of the assembly placed strong emphasis on instruction in the natural sciences, romantic literature, and the arts.  During the Digital Project Showcase, Don also told the story of finding the original books that composed the scientific library of Edward F. Ricketts (a collection that the marine biologist had left to the seaside laboratory upon his untimely death in 1948) and his efforts to identify the original contents of Ricketts’ library.

Don has degrees in biology and library science.  In addition to his Chautauqua project, he is exploring the history of the Hopkins Seaside Laboratory (1892-1925), and the early years of the Hopkins Marine Station (1917-1950).

Digital projects showcased in Monterey

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An item from New Mexico State University’s digitized Agricultural Extension Service records. Source: NMSU Library Digital Collections

At the third annual “lightning talks” session highlighting new (and some not so new) digital public history projects at the National Council on Public History conference, a dozen presenters showed off their work to a lunchtime audience.